Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,   Related Paintings of RAFFAELLO Sanzio :. | The Judgment of Solomon | The Adoration of the Magi (Oddi altar) set | St Catherine of Alexandria | The virgin mary | Father and The virgin mary |
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Henri Lucien Doucet
France 1856-1895 was a French figure and portrait painter, born in Paris, where he studied under Lefebvre and Boulanger, and in 1880 won the Prix de Rome. His pictures are usually piquant, sparkling representations of modern life, eminently Parisian in style, but the audacious realism of his earlier work is not maintained in his later, which is somewhat characterless. His portraits in pastel are also notable. His most widely known picture is Apres le bal (After the ball, 1889). Other excellent examples are the portraits of Madame Galli-Marie as Carmen (1884, Marseille Museum); the Princesse Mathilde and My Parents (1890, Lyons Museum); A Spanish Woman (Pontoise Museum); and a Nude Figure (1890). He was awarded a first-class medal for pastel in 1889 and the decoration of the Legion of Honor in 1891.
Marcus Gheeraerts
1561-1636 Flemish Marcus Gheeraerts Gallery
Federico Maldarelli
Federico Maldarelli (1826 - 1893)